CLASSIFICATION
Swallow ID:
1460
Partner Institution:
Concordia University
Source Collection Label:
Lee Gotham collection
Series:
Lee Gotham collection
Sub Series:
Lee Gotham collection
ITEM DESCRIPTION
Title:
Enough Said 1995-06-26, It came from the 401
Title Source:
Asset
Title Note:
On tape labels, corroborated by Lee Gotham, who introduces the event as such.
Language:
English
Production Context:
Documentary recording
Genre:
Performance: Spoken Word Poetry
Identifiers:
[]
Rights
Notes:
Rights status in process. We may wish to seek permission from individual artists and Drew Duncan, the videographer.
CREATORS
Name:
Battson, Jill
Dates:
1958-
Role:
"Performer"
Name:
Dembowski, Nancy
Dates:
1956-
Role:
"Performer"
Name:
Rogal, Stan
Dates:
1950-
Role:
"Performer"
Name:
O'Connor, Mike
Dates:
1968-
Role:
"Performer"
Name:
Gotham, Lee
Dates:
1962-
Role:
"Series organizer",
"Producer"
Notes:
Lee Gotham was also the MC of this event.
CONTRIBUTORS
Name:
Ferrier, Ian
Dates:
1954-
Notes:
Non-performing; appearance at end.
Name:
Duncan, Drew
Role:
"Recordist"
Notes:
Videographer.
MATERIAL DESCRIPTION
Image:
Recording Type:
Analogue
AV Type:
Video
Material Designation:
VHS
Physical Composition:
Magnetic Tape
Storage Capacity:
120 minutes
Playback Mode:
Mono
Tape Brand:
TDK EHG
Sound Quality:
Good
Other Physical Description:
VHS asset #It_came_from_the_401.
DIGITAL FILE DESCRIPTION
Duration:
01:15:10
Size:
2.12 GB on disk
Bitrate:
2304Kbps (original); 256Kbps (master)
Encoding:
MPEG-4 movie
Content:
This is file 1 of 1 containing an AV recording of the event "It came from the 401" as part of the Enough Said series, organized by Lee Gotham and with performances by Jill Battson, Nancy Dembowski, Mike O'Connor, and Stan Rogal.
Notes:
Dimensions: 640 × 480.
Content Type:
Video Recording
Dates
Date:
1995-06-26
Type:
Performance Date
Source:
Asset
LOCATION
Address:
4040 St. Laurent, Montréal, QC, H2W 1Y8, Canada
Venue:
Bistro 4
Latitude:
45.5169628
Longitude:
-73.5796147
Notes:
Bistro 4 (pronounced Bistro Quatre), no longer in existence.
CONTENT
Contents:
[Bistro 4 stage]
00:00:15
Video Description: Colour video, medium closeup of the stage at Bistro 4 (Quatre) (4040 St. Laurent, Montréal, QC, H2W 1Y8, Canada). A single mic stand. The stage, slightly below street level, is set against a full-wall sliding window looking out onto the St. Laurent Blvd. traffic—with pedestrians and vehicles regularly passing by. The venue windows are wide open, which impacts the audio quality. The windows from across the street (4067 St. Laurent) are also visible.
Lee Gotham
00:00:16
[Ambient sound. Audio muffled at first] Well, nice to see so many new faces among the old, and everyone else here on The Main, a beautiful… is it Monday?, it’s always Monday isn’t it?, it’s a silly question, Monday night, thanks for coming out. It’s almost like a last instalment of Enough Said, I suppose, although it’s really something distinct. It’s an independent production, it’s a special presentation, it’s my way of returning the favour that our Toronto cousins, Jill Battson and company, did us a week and a half ago, by hosting a number of us Montréal washed, unwashed, bright poets. This evening we’re presenting “It Came from the 401,” or at least (what is?) the 401, somewhere in the midst of it. | Video Description: Medium closeup. Recording starts mid-sentence. Lee Gotham on stage, clean-shaven and with long hair, stud earring (perhaps two earrings) on the left lobe, sunglasses used as a headband, and grey t-shirt. Gotham makes introductory remarks.
Lee Gotham
00:01:15
Jill Battson, Nancy Dembowski, Stan Rogal, and Mike O’Connor will be joining us. A number of canine, feline friends are probably dropping from time to time as well. [Laughter]. | Video Description: Medium closeup of Lee Gotham continuing with introductory remarks. The ears of a dog or cat become visible over Gotham’s right shoulder, through the window, causing audience laughter till Gotham turns back to acknowledge the animal’s presence.
Lee Gotham
00:01:28
And we are all going to have a hell of a time here, so please just sit back, order your drinks as you see fit, you know, poets are not the highly sensitive types they are made out to be. It means the vending is doing better, the series is going longer, anything like it, well, I think they’ll understand the clinking of glasses, requisite in wetting your whistles. | Video Description: Medium closeup of Lee Gotham continuing with introductory remarks.
Lee Gotham
00:01:53
In any case, without too much further ado, I’d like to introduce you to a woman who for many of you won’t require introduction, but I’ll give it to you in any case. Jill Battson is the program coordinator for The Poets’ Refuge reading series and has produced the Word Up video series for MuchMusic, (bravo?), and co-produced the CD for Virgin Records (Virgin/EMI Music Canada, 1995). Jill’s poetry is published in Playing in the Asphalt Garden, Insomniac Press (1994). She has produced The Poetry Express, a poet’s and playwright’s reading series at Fringe Festival of Toronto, Wordapalooza, the spoken-word stage for the Toronto portion of the North American Lolapalooza tour, and the first festival of the spoken word. Jill’s now working on going from high priestess to poetry goddess status in 1995. Please welcome the first one reading this evening, Jill Battson. [Applause.] | Video Description: Medium closeup of Lee Gotham introducing the first reader.
Jill Battson
00:03:00
(?) when I become goddess, I’m gonna be Madonna of poetry, that’s what I’ll be aiming for; a legend in my own mind. Reads “The tartness prickling my tongue” (published as “Nicked” in Playing in the Asphalt Garden, edited by Mike O’Connor, Insomniac Press, 1994). Three-second silence at the end of the poem, followed by applause.] | Video Description: Medium closeup of Jill Battson making brief introductory remarks, then reading while holding a pack of printed pages. Battson has pixie-cut red hair with bangs, and wears a leaf-patterned black-and-white vest over a white t-shirt. Camera zooms out and in a few times.
Jill Battson
00:05:00
[Explains that the next poem was written during an Action Poetry three-week retreat with thirty poets, at the Banff Centre for the Arts, in 1994. Reads (“Bivouac”?), beginning with the line “I watched the progression.” Four-second silence at the end of the poem, followed by applause.] | Video Description: Medium shot, then zoom into a medium closeup of Jill Battson introducing and reading a poem.
Jill Battson
00:07:09
[Contextualizes the series of poems called “The Apology Letters” and reads one of them, beginning “I don’t know you very well.” Laughter and applause.] | Video Description: Zoom from medium shot into a medium closeup of Jill Battson contextualizing and reading a poem.
Jill Battson
00:09:33
[Introduces the next poem, written in Jamaica, about British playwright Noël Coward. Reads poem beginning with the line “We are up” (published as “Painting with Noël” in Hard Candy, Insomniac Press, 1997). Shout from audience member, then applause.] | Video Description: Medium closeup of Jill Battson contextualizing and reading a poem.
Jill Battson
00:11:16
[Reads “I burnt the ridges of my fingerprints smooth” (published as “Kathy” in Word Up, edited by Jill Battson and Ken Norris, Key Porter Books, 1995; and later in Hard Candy, Insomniac Press, 1997). Three-second silence at the end of the poem, followed by applause.] | Video Description: Medium closeup of Jill Battson contextualizing and reading a poem.
Jill Battson
00:12:29
[Dedicates the poem to a friend who died from AIDS-related causes. Reads “Morphine Headache” (partially published as “A Morphine Headache” in An Invisible Accordion, edited by Jennifer Footman, Broken Jaw Press, 1996; and, later, in complete form, in Hard Candy, Insomniac Press, 1997). Applause.] | Video Description: Medium closeup of Jill Battson contextualizing and reading a poem.
Jill Battson
00:14:01
[Reads “S&M” (published in Playing in the Asphalt Garden, edited by Mike O’Connor, Insomniac Press, 1994). Three-second silence at the end of the poem, followed by applause.] | Video Description: Camera zooms out and in, settling into a medium shot of Jill Battson, who contextualizes and reads a poem.
Jill Battson
00:15:12
[Reads “Sea Grapes.” Applause.] | Video Description: Medium shot of Jill Battson reading a poem.
Audience
00:16:52
[Applause.] | Video Description: As Jill Battson leaves the stage amid applause, the camera zooms out while panning to the right, then pans to the left, taking in the dozens of seated audience members at Bistro 4. Full house.
Lee Gotham
00:17:06
[Thanks Jill Battson and introduces Nancy Dembowski. Highlights that Dembowski was included in the aforementioned Word Up CD co-produced by Jill Battson (Virgin/EMI Music Canada, 1995) . Applause.] | Video Description: Camera zooms into a medium closeup of Lee Gotham, who introduces the next performer, Nancy Dembowski. Zoom out to track Dembowski walking towards the stage.
Nancy Dembowski
00:18:00
[Performs poem beginning with the line “Turbaned guy keeping guard outside that Indian dive” (published as “Living with Shirley in Georgetown” in Word Up, edited by Jill Battson and Ken Norris, Key Porter Books, 1995; and later in Only the Ghost Has Lasted, Insomniac Press, 2000). Applause.] | Video Description: Camera tracks Nancy Dembowski walking towards the stage and carrying a glass and some papers. Dembowski wears a black-and-white patterned dress, shoulder-length dark hair, and a necklace. Camera zooms into a closeup, as Dembowski smiles to the audience and immediately starts performing a poem from memory. Mid-performance, the camera zooms out to a medium shot. Dembowski frequently adjusts her hair back, away from her face.
Nancy Dembowski
00:21:11
[Performs from memory a poem beginning with the line “The waiter cracks an egg” (published as “Sweets” in Only the Ghost Has Lasted, Insomniac Press, 2000). The Bistro landline rings mid-performance. Applause.] | Video Description: Closeup then medium closeup of Nancy Dembowski performing a poem.
Nancy Dembowski
00:22:40
[Explains that the next piece is a found poem, from the first paragraph of “The Sea-Hare” fairy tale collected by the Brothers Grimm. Performs from memory a poem beginning with the line “It was once upon a time a princess.” Applause.] | Video Description: Closeup of Nancy Dembowski performing a poem. During the applause, the camera zooms out to a medium shot of Dembowski drinking from a glass.
Nancy Dembowski
00:25:00
[Reads poem beginning with the line “Ran out of gas” (published as “Life on Venus” in Poetry Nation, edited by Cabico and Swift, Véhicule Press, 1998; and, with some variations, as “Life on Venus Avenue” in Only the Ghost Has Lasted, Insomniac Press, 2000). Applause.] | Video Description: Medium closeup of Nancy Dembowski reading a poem.
Nancy Dembowski
00:26:20
[Reads “Never” (published, with small variations, in Only the Ghost Has Lasted, Insomniac Press, 2000). Three-second silence at the end of the poem, followed by applause.] | Video Description: Zoom into closeup of Nancy Dembowski reading a poem.
Nancy Dembowski
00:27:30
[Reads (“Bastille”?). Three-second silence at the end of the poem, followed by applause.] | Video Description: Closeup of Nancy Dembowski reading a poem.
Nancy Dembowski
00:28:57
[Reads “Ghosts” (published, with small variations, in Only the Ghost Has Lasted, Insomniac Press, 2000). Applause.] | Video Description: Medium closeup of Nancy Dembowski reading a poem. During the applause, Dembowski drinks from a glass.
Nancy Dembowski
00:32:00
[Reads “Borders.” Applause.] | Video Description: Medium closeup of Nancy Dembowski reading a poem.
Audience
00:34:14
[Applause.] | Video Description: As Nancy Dembowski leaves the stage amid applause, the camera zooms out while panning to the left, tracking Dembowski, then pans to the right before zooming in back into the stage. We see dozens of seated audience members, one of them smoking while clapping, and two other people leaving the venue through the full-wall window.
Lee Gotham
00:34:25
[Lee Gotham announces a break and starts announcing upcoming events, when the recording skips ahead]. | Video Description: Camera zooms into a medium closeup of Lee Gotham at the stage, making announcements. Cut to long shot of the audience, then pan to the left and to the right before cutting again.
Lee Gotham
00:35:33
[Lee Gotham introduces Mike O’Connor]. | Video Description: Medium closeup. Lee Gotham at the stage, introducing the next performer.
Mike O’Connor
00:35:55
[Introduces the first piece as a “Toronto poem” inspired by a Victorian house. Reads the piece, beginning with the line “Cool, clean, coloured walls.” Applause.]. | Video Description: Medium closeup of Lee Gotham leaving the stage and Mike O’Connor entering the frame. Zoom into a closeup. Clean-shaven and with short black hair, O’Connor wears a black t-shirt with a partially visible white illustration, under a greyish open button-down shirt. O’Connor reads a piece.
Mike O’Connor
00:39:22
[Introduces and reads “Not Irish.” Applause. | Video Description: Camera zooms into a medium closeup. Mike O’Connor reads a poem, then drinks from a glass.
Mike O’Connor
00:41:58
[Introduces and reads “Holding Hands.” Applause. | Video Description: Camera zooms out into a medium shot. Mike O’Connor reads a poem, then drinks from a glass.
Mike O’Connor
00:43:42
[Introduces and reads “Home.” Applause, as well as approval shouting and whistling from the audience. | Video Description: Medium shot. Mike O’Connor reads a poem, then drinks from a glass.
Mike O’Connor
00:45:35
[Introduces and reads “Magnetic Poetry Kit.” Applause. | Video Description: Medium closeup. Mike O’Connor reads a poem, then drinks from a glass.
Mike O’Connor
00:48:06
[Introduces and reads “Dream Poem.” Audience laughs multiple times throughout the reading. Applause. | Video Description: Camera zooms out to a medium shot. Mike O’Connor reads a poem, then smiles and waves at the audience, leaving the stage amid applause.
Audience
00:50:46
[Applause.] | Video Description: After Mike O’Connor leaves the stage amid applause, the camera zooms out while panning slightly to the left, then to the right before zooming in back into the stage. We see dozens of seated audience members.
Lee Gotham
00:51:01
[Thanks Mike O’Connor. Announces the upcoming Vox Hunt poetry slam, featuring Fortner Anderson, Carol Davison, and Fluffy Pagan Echoes. Distributes a pack of printed poems by Joe Blades, printed by Rob McLennan. Introduces Stan Rogal]. | Video Description: Camera zooms into a medium closeup of Lee Gotham at the stage, making remarks, distributing printed poems, and introducing the next performer. As Gotham leaves the stage, the camera zooms out into a medium long shot.
Stan Rogal
00:54:29
[Interacts with the audience. Introduces and reads “Postcard from Home” (published in The Imaginary Museum, ECW Press, 1993). Frequently interrupts the reading with ad lib comments, provoking laughter. Applause.] | Video Description: Zoom into closeup as Stan Rogal enters the stage and adjusts the mic. Rogal has trimmed beard and temple hair; wears shorts and a black open short-sleeved shirt on top of a black t-shirt with two faces in white and the words “BALD EGO.” Rogal reads a poem, then drinks from a glass.
Stan Rogal
00:58:22
[Introduces and reads “Hourglass” (published in The Imaginary Museum, ECW Press, 1993). Applause. | Video Description: Medium shot, then zoom into a medium closeup. Stan Rogal reads a poem.
Stan Rogal
01:01:35
[Introduces “Personations: 7” as a piece close to a “language poem,” from a book titled Personations (later published by Exile Editions, 1997). Reads “Personations: 7.” Applause. | Video Description: Camera zooms out to a medium shot then into a medium closeup. Stan Rogal reads a poem.
Stan Rogal
01:03:17
[Introduces and reads “Personations: 24” as a poem written for Café Naked, a play (directed by Lisa Ryder, Bald Ego Productions, 1994; the poem was later published in Personations, Exile Editions, 1997). Applause. | Video Description: Medium shot. Stan Rogal reads a poem.
Stan Rogal
01:05:25
[Introduces and recites from memory “Bone Lady.” Twice Rogal forgets his lines mid-performance, so he checks a piece of paper; laughter. Applause. | Video Description: Camera zooms out then immediately into a closeup. Stan Rogal performs a poem.
Stan Rogal
01:07:00
[Introduces and recites from memory “Classical Joint Coffee, (Jazz in the Rocks?).” Applause. | Video Description: Medium shot. Stan Rogal performs a poem.
Stan Rogal
01:09:18
[Introduces and reads “It Was Suddenly As If” twice: first as Rogal wrote it, then as magazine editors published it, altering the meaning of the poem. Laughter. Applause. | Video Description: Medium shot, then zoom into a medium closeup. Stan Rogal reads a poem twice, then walks off stage.
Lee Gotham
01:11:50
Thanks performers and makes announcements, mentioning the the EnoughSaid would resume in October. | Video Description: Long shot of audience clapping and Lee Gotham entering the stage. Zoom into a closeup of Gotham, who thanks the performers and makes announcements. Camera zooms out and pans left and right, showing the audience.
Ian Ferrier
01:13:28
A voice offscreen (probably the camera person’s) says “alright, go for it.” Ambient sounds and laughter. | Video Description: Cut to a long shot outside Bistro 4 but still inside the main building. Ian Ferrier skates with roller blades towards the camera, which pans to follow Ferrier, who does an 180; Ferrier then repeats the move toward the other end of a corridor. Ferrier has short har and wears khakis and a jacket over a red shirt. A person with shorts, white t-shirt, socks and sandals gesticulates by Ferrier while smoking.
END
01:13:51
[Cut out]
Notes:
Event recording starts at 00:00:00:00 of physical asset.
NOTES
Type:
General
Note:
VHS #It_came_from_the_401 asset. The asset was digitized, generating both uncompressed and compressed video files. Metadata entries based on the compressed file.
Type:
Cataloguer
Note:
Carlos A. Pittella
RELATED WORKS
Citation:
Battson, Jill, and Geoff Kulawick, eds. Word up [CD]. Virgin/EMI Music Canada, 1995.
Citation:
Footman, Jennifer, ed. An Invisible Accordion: A Canadian Poetry Association Anthology. Fredericton, NB: Broken Jaw Press, 1995. [Includes most of Battson’s “A Morphine Headache,” pp. 22–23]
Citation:
Battson, Jill. Hard Candy: Poems. Toronto: Insomniac Press, 1997. [Includes “I burnt the ridges of my fingerprints smooth,” published as “Kathy,” p. 17; “A Morphine Headache,” pp. 48–49; “Painting with Noël,” p. 79]
Citation:
Cabico, Regie, and Todd Swift, eds. Poetry Nation: The North American Anthology of Fusion Poetry. Montréal: Véhicule Press, 1998. [Includes Dembowski’s “Life on Venus,” p. 222]
Citation:
Dembowski, Nancy. Only the Ghost Has Lasted: Poems. Toronto: Insomniac Press, 2000. [Includes “Living with Shirley in Georgetown,” pp. 11–12; “Sweets,” p. 19; “Life on Venus Avenue,” p. 77; “Ghosts,” pp. 25–26]
Citation:
Battson, Jill, and Ken Norris, eds. Word Up: Spoken Word Poetry in Print. Toronto: Key Porter Books, 1995. [Includes Battson’s “I burnt the ridges of my fingerprints smooth,” published as “Kathy,” p. 9; Dembowski’s “Living with Shirley in Georgetown,” pp. 31–32]
Citation:
O’Connor, Mike, ed. Playing in the Asphalt Garden. Toronto: Insomniac Press, 1994. [Includes Battson’s “The tartness prickling my tongue,” published as “Nicked,” p. 32–33; “S&M,” p. 12]
Citation:
Rogal, Stan. The Imaginary Museum. Toronto: ECW Press, 1993. [Includes “Postcard from Home,” p. 9; “Hourglass,” pp. 48–49]
Citation:
Rogal, Stan. Personations. Toronto: Exile Editions, 1997. [Includes “Personations: 7,” p. 37; “Personations: 24,” p. 64]
Citation:
Ryder, Lisa [dir.]. Cafe Naked [play]. Bald Ego Productions, 1994. [Includes Stan Rogal's “Personations: 24.”]