CLASSIFICATION
Swallow ID:
1497
Partner Institution:
Concordia University
Source Collection Label:
Alan Lord collection
Series:
Alan Lord Collection
Sub Series:
Alan Lord collection
ITEM DESCRIPTION
Title:
Richard Martel at Ultimatum Festival 1985-05-05
Title Source:
Container and Brochure
Title Note:
On tape "U-5-2" and festival schedule corroborated in brochure.
Language:
French
Production Context:
Documentary recording
Genre:
Ambient sounds
Identifiers:
[]
Rights
Notes:
Rights status in process. Alan Lord has permission waivers. We may wish to seek permission from individual artists.
CREATORS
Name:
Martel, Richard
Dates:
1950-
Role:
"Performer"
CONTRIBUTORS
Name:
Lord, Alan
Dates:
1954-
Role:
"Series organizer"
Notes:
Alan Lord has been designated Contributor when in the role of series organizer and Creator when in the role of Performer.
MATERIAL DESCRIPTION
Image:
Recording Type:
Analogue
AV Type:
Audio
Material Designation:
Reel to Reel
Physical Composition:
Magnetic Tape
Extent:
1/4 inch
Side:
Tracks 5-8.
Playing Speed:
15 ips
Track Configuration:
8 track
Playback Mode:
Mono
Equalization:
NAB.
Generations:
Audio taken from original reel to reel 8 track tape.
Tape Brand:
Ampex 460
Sound Quality:
Good
Conservation:
Perforation repairs. Baked.
Other Physical Description:
Reel U-5-2
DIGITAL FILE DESCRIPTION
Channel Field:
Mono
Sample Rate:
96kHz
Duration:
00:15:54
Size:
84.2 MB
Bitrate:
2304000
Encoding:
Waveform
Content:
This is track 5 of 8 tracks on tape U-5-2 containing a backing track from Martel's performance.
Notes:
*Note for template: create one file description for each track, and use WAV form for entries.
Once final mixes are done, we will include a digital file description of the mix with a note of this sort: "Above based upon mix of following tracks. For full details on tracks see digital file descriptions".
Content Type:
Sound Recording
Channel Field:
Mono
Sample Rate:
96kHz
Duration:
00:15:54
Size:
84.2 MB
Bitrate:
2304000
Encoding:
Waveform
Content:
This is track 6 of 8 tracks on tape U-5-2 containing a backing track from Martel's performance.
Content Type:
Sound Recording
Channel Field:
Mono
Sample Rate:
96kHz
Duration:
00:15:54
Size:
84.2 MB
Bitrate:
2304000
Encoding:
Waveform
Content:
This is track 7 of 8 tracks on tape U-5-2 containing a vocal track from Martel's performance.
Content Type:
Sound Recording
Channel Field:
Mono
Sample Rate:
96kHz
Duration:
00:15:54
Size:
84.2 MB
Bitrate:
2304000
Encoding:
Waveform
Content:
This is track 8 of 8 tracks on tape U-5-2 containing a vocal track from Martel's performance.
Content Type:
Sound Recording
Dates
Date:
1985-05-05
Type:
Performance Date
Source:
Container. Brochure.
Notes:
According to brochure, performance began at 21:00.
LOCATION
Address:
87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5
Venue:
Foufounes Électriques
Latitude:
45.5109472
Longitude:
-73.5640102
CONTENT
Contents:
Ultimatum_Mixdown_Richard Martel_U-5-2_T5_T6_T7_T8.mp3
The following is a transcription of Richard Martel’s performance at Ultimatum, Sunday May 5th, 1985 at the Foufounes Electriques. The Ultimatum festival pamphlet notes Martel’s role as the editor of Intervention magazine, a Quebec-based journal of international repute also known as ‘Inter’. Since 1979, Inter has published articles on all forms of contemporary art, questioning the role of art in society, politics and culture. Martel is the author and editor of a number of articles and books on performance art. As a curator and multimedia artist he has organized and participated in various art events and festivals. His own practice centers on art and the social. At the beginning of his Ultimatum set, Martel introduces the 3 pieces he will perform, "Subordination", "Insubordination" and "L'expérience de l'art comme disponibilité du temps” which consist of sound and poetry.
TRANSCRIPTION
Richard Martel
00:00:00
Microphone test.
Richard Martel
00:00:17
Introduces title of performance pieces "Subordination", "Insubordination" and "L'expérience de l'art comme disponibilité du temps".
Stage
00:00:40
Ambient sound [clanging noise throughout].
Richard Martel
00:00:52
Performs "Subordination" [chant] | Keywords: Guttenberg, stigmate, typographie, visuelle.
Audience
00:03:18
Applause [tape cut]. Ambient sound [end of clanging].
Richard Martel
00:03:38
Performs "Insubordination" [tape cuts in while performance in progress]. [Martel, Various noises, grunting, additional audio tape].
Audience
00:08:43
Applause
Richard Martel
00:09:12
"On peut-y-aller".
Richard Matel
00:09:25
Performs "L'expérience de l'art comme disponibilité du temps". Ambient sounds [audio, fan, friction, voice] and poetry. | Keywords: langage, art, "L'experience de l'art comme disponibilité du temps", avions, Québec, formalisme, Nietszche, Lewis Carroll, Karl Marx, Félix Potin, dada, concrete poetry, [cuts out].
END
00:15:54
[cuts out]
Notes:
Contents field [transcription] by Emma Telaro.
NOTES
Type:
Preservation
Note:
Media Preserve Metadata for Tape U-5-2.
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Type:
Cataloguer
Note:
Sadie Barker. Transcription and related works by Emma Telaro.
RELATED WORKS
Citation:
Ultimatum Program/me [Festival Pamphlet]
Citation:
Inter journal
Citation:
Le lieu webpage
Citation:
Information about Inter journal on le lieu webpage.
Citation:
Discogs entry Richard Martel
Citation:
List of items on e-artexte related to Richard Martel.
Citation:
Martel, Richard. Contract, bionote, poem, and performance plan for Ultimatum, c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_mar. Concordia University Library, Special Collections, Montréal, QC.
Citation:
Various authors. Newsclippings about Richard Martel, Feb.–Nov. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_mar. Concordia University Library, Special Collections, Montréal, QC.
Citation:
Pattibo. Photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-photos. Concordia University Library, Special Collections, Montréal, QC.
Citation:
Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.