Jean-Paul Curtay at Ultimatum Festival 1985-05-05

CLASSIFICATION

Swallow ID:
1498
Partner Institution:
Concordia University
Source Collection Label:
Alan Lord collection
Series:
Alan Lord Collection
Sub Series:
Alan Lord collection

ITEM DESCRIPTION

Title:
Jean-Paul Curtay at Ultimatum Festival 1985-05-05
Title Source:
Container and Brochure
Title Note:
On tape "U-5-3" and festival schedule corroborated in brochure.
Language:
English
Production Context:
Documentary recording
Genre:
Ambient sounds
Identifiers:
[]

Rights

Notes:
Rights status in process. Alan Lord has permission waivers. We may wish to seek permission from individual artists.

CREATORS

Name:
Curtay, Jean-Paul
Dates:
1951-
Role:
"Performer"

CONTRIBUTORS

Name:
Lord, Alan
Dates:
1954-
Role:
"Series organizer"
Notes:
Alan Lord has been designated Contributor when in the role of series organizer and Creator when in the role of Performer.

MATERIAL DESCRIPTION

Image:
Image
Recording Type:
Analogue
AV Type:
Audio
Material Designation:
Reel to Reel
Physical Composition:
Magnetic Tape
Extent:
1/4 inch
Side:
Tracks 1-4
Playing Speed:
15 ips
Track Configuration:
8 track
Playback Mode:
Mono
Equalization:
NAB.
Generations:
Audio taken from original reel to reel 8 track tape.
Tape Brand:
Ampex 460
Sound Quality:
Good
Conservation:
Perforation repairs. Baked.
Other Physical Description:
Reel U-5-3

DIGITAL FILE DESCRIPTION

Channel Field:
Mono
Sample Rate:
96kHz
Duration:
00:03:09
Size:
33.3 MB
Bitrate:
2304000
Encoding:
Waveform
Content:
This is track 1 of 8 tracks on tape U-5-3 containing a backing track from Curtay's performance.
Notes:
*Note for template: create one file description for each track, and use WAV form for entries. Once final mixes are done, we will include a digital file description of the mix with a note of this sort: "Above based upon mix of following tracks. For full details on tracks see digital file descriptions".
Content Type:
Sound Recording

Channel Field:
Mono
Sample Rate:
96kHz
Duration:
00:15:40
Size:
165.9 MB
Bitrate:
2304000
Encoding:
Waveform
Content:
This is track 2 of 8 tracks on tape U-5-3 containing a vocal track from Curtay's performance.
Content Type:
Sound Recording

Channel Field:
Mono
Sample Rate:
96kHz
Duration:
00:06:25
Size:
68 MB
Bitrate:
2304000
Encoding:
Waveform
Content:
This is track 3 of 8 tracks on tape U-5-3 containing a backing track from Curtay's performance.
Content Type:
Sound Recording

Channel Field:
Mono
Sample Rate:
96kHz
Duration:
00:16:05
Size:
170 MB
Bitrate:
2304000
Encoding:
Waveform
Content:
This is track 4 of 8 tracks on tape U-5-3 containing a vocal track from Curtay's performance.
Content Type:
Sound Recording

Dates

Date:
1985-05-05
Type:
Performance Date
Source:
Container. Brochure.
Notes:
According to brochure, performance began at 21:30.

LOCATION

Address:
87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5
Venue:
Foufounes Électriques
Latitude:
45.5109472
Longitude:
-73.5640102

CONTENT

Contents:
Ultimatum_Mixdown_Jean-Paul Curtay_U-5-3_T1_T2_T3_T4 The following is a transcription of the Jean-Paul Curtay set at Ultimatum, Sunday May 5th, 1985 at the Foufounes Électriques. The Ultimatum festival program lists the performance as “Sound Super Writing.” Curtay was a member of the French avant-garde Lettrist movement and provided vital sonic and written contributions to its exegesis (see Body Music and Hypegraphic Music). In his memoirs, Alan Lord describes how, in this performance, Curtay wraps his mouth around the microphone to produce the sounds of his Sound Super Writing. The recording ends with an audio excerpt of the film “Framed” by Montreal filmmaker [(?)] Napoléon Moffat, a go-between Curtay’s set and the John Giorno band. For more on French Lettrism, see Curtay’s performances and publications. TRANSCRIPT Jean-Paul Curtay 00:00:00 Performs sound [tape or computer audio, barking, gurgling, recorded human voices, speech sounds, stomping, stepping, mouth sounds, sound super writing]. | Keywords: occupy, action Unknown 00:03:05 Ambient Sound [pause in performance, silence, microphone feedback]. Jean-Paul Curtay 00:03:25 Performs sound [warbling, speech sounds, mouth sounds, nonsense, words, echo, vibrations, yelling]. | Keywords: power, rights, El Salvador, schools, what if, et si. Audience 00:10:23 Applause Jean-Paul Curtay 00:10:42 Performs sound [tape or computer audio, fan, speech sounds, mouth sounds, electronic sounds, murmuring, gurgling]. | Keywords: copie. Unknown 00:15:38 Silence [tape cut] Jean-Paul Curtay 00:15:42 Performs sound [slurping, muffled music, mouth sounds, recorded human voices, engine sound, electronic sounds, mouth noises]. | Keywords: what are you doing, save the baby birds. Jean-Paul Curtay 00:21:13 Silence [Pause] Jean-Paul Curtay 00:21:23 Performs sound [pre-recorded sounds fade in, vocals, warbling, mouth sounds, speech sounds, yelling, screaming, tape or computer audio, electronic sounds]. | Keywords: man, animal, manimal. Audience 00:24:31 Ambient sounds audible throughout the end of the piece ["bravo", applause, banter]. Jean-Paul Curtay 00:21:24 Continues to perform sound. Audience 00:27:38 Applause [sounds from Curtay set fade out]. Alan Lord 00:28:18 Announces the John Giorno band as the following set and introduces cinematic interlude, the film “Framed” by Napoléon Moffat, while technicians exit stage. | Keywords: bonsoir, the John Giorno band, Napoleon Moffat, the John Giorno Band, poésie visuelle. [Sound from film] 00:29:43 Music and narration from Napoleon Moffat film "Framed" [cuts out].
Notes:
Contents field [transcription] by Emma Telaro.

NOTES

Type:
Preservation
Note:
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Type:
General
Note:
Multitrack Mix File Name: Ultimatum_Mixdown_Jean-Paul Curtay_U-5-3_T1_T2_T3_T4
Type:
Cataloguer
Note:
Sadie Barker. Transcription and related works by Emma Telaro.

RELATED WORKS

Citation:
Ultimatum Program/me [Festival Pamphlet]

Citation:
Discogs entry for Body Music.

Citation:
Supplement from Body Music for Tate Museum Archive.

Citation:
Jean-Paul Curtay contribution to Lettrism special issue (“Chronology” of Lettrism and article “Super Writing 1983 – America 1683”)

Citation:
Jean-Paul Curtay anthology on La Poésie Lettriste (1974).

Citation:
Worldcat entry for Jean-Paul Curtay anthology on La Poésie Lettriste (1974).

Citation:
Jean-Paul Curtay book Letterism and Hypergraphics: the unknown avant-garde, 1945-1985.

Citation:
Curtay, Jean-Paul. Letter to Alan Lord, copy of poem, and event flyers for Ultimatum, 27 Feb. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_cur. Concordia University Library, Special Collections, Montréal, QC.

Citation:
Photo of Jean-Paul Curtay (uncredited photographer), n.d., Alan Lord fonds (F039), Box 1, folder AL-Folder2_cur. Concordia University Library, Special Collections, Montréal, QC.

Citation:
Janicot, Françoise. Photo of Jean-Paul Curtay, n.d., Alan Lord fonds (F039), Box 1, folder AL-Folder2_cur. Concordia University Library, Special Collections, Montréal, QC.

Citation:
Zimmerman, Ann. Photo of Jean-Paul Curtay, n.d., Alan Lord fonds (F039), Box 1, folder AL-Folder2_cur. Concordia University Library, Special Collections, Montréal, QC.

Citation:
Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.

Citation:
Ultimatum Administrative Council. Various manuscript notes for Ultimatum, Apr. 1985–May 1986, Alan Lord fonds (F039), Box 1, folder AL-Folder1_ult. Concordia University Library, Special Collections, Montréal, QC.