CLASSIFICATION
Swallow ID:
1547
Partner Institution:
Concordia University
Source Collection Label:
SpokenWeb Archive of the Present
Series:
SpokenWeb Archive of the Present
Sub Series:
SpokenWeb Archive of the Present
ITEM DESCRIPTION
Title:
How the Audiobook Got Its Groove Back, Talk by Matthew Rubery, 22 October 2020
Title Source:
Cataloguer
Title Note:
A talk given by Matthew Rubery which took place on 22 October 2020
Language:
English
Identifiers:
[]
Rights
License:
Creative Commons Attribution, Non-Commercial, No Derivatives (BY-NC-ND)
Notes:
Archive of the Present Permissions Form signed by Matthew Rubery is on file in SpokenWeb data archive
CREATORS
Name:
Camlot, Jason
Role:
"Series organizer"
Name:
Levy, Michelle
Role:
"Speaker"
Notes:
Moderator
Name:
Rubery, Matthew
Role:
"Presenter"
CONTRIBUTORS
Name:
Carpenter, Craig
Notes:
Participant
Name:
Bretner, Matt
Notes:
Participant
Name:
Fong, Deanna
Notes:
Participant
Name:
Mwanza, Daliso
Notes:
Participant
Name:
Copeland, Stacey
Notes:
Participant
Name:
McGregor, Hannah
Notes:
Participant
Name:
Judee
Notes:
Participant
MATERIAL DESCRIPTION
DIGITAL FILE DESCRIPTION
File Path:
https://drive.google.com/drive/folders/1_vgxh7Lez9X0OHD4xof34rfcxXirzQQS
Notes:
Edited mp4 file originally derived as download from Zoom teleconference session
Content Type:
Video Recording
Featured:
Yes
File Path:
https://drive.google.com/drive/folders/1_vgxh7Lez9X0OHD4xof34rfcxXirzQQS
Title:
How the Audiobook Got Its Groove Back
Caption:
Matthew Rubery, 22 October 2020
Content Type:
Photograph
Featured:
Yes
Dates
Date:
2020-10-22
Type:
Production Date
Source:
Date stamp in video content and from SpokenWeb data records
LOCATION
Address:
1455 Boulevard de Maisonneuve O, Montréal, QC H3G 1M8
Venue:
Zoom
Latitude:
45.49524405
Longitude:
-73.57849928292674
Notes:
The event was held over Zoom, hosted from Montreal, Quebec
CONTENT
Contents:
This talk was given by Matthew Rubery (Queen Mary University of London), and moderated by Michelle Levy (Simon Fraser University). What might an audiobook liberated from preconceived notions of the printed book sound like? Whereas most literary recordings seek to imitate print formats as faithfully as possible, this presentation examines a series of performances that take advantage of the audiobook’s affordances in order to go beyond merely replicating print. Drawing on source material ranging from musician memoirs to fiction by Charles Dickens and Stephen King, it considers what’s at stake when audio publishers experiment with soundtracks that go beyond the verbal description of sounds by using actual sounds. The talk was following by a Q&A session with participants.
NOTES
RELATED WORKS