CLASSIFICATION
Swallow ID:
5091
Partner Institution:
Banff Centre for Arts and Creativity
Source Collection Label:
Action Poetry fonds
Sub Series:
Action Poetry fonds
ITEM DESCRIPTION
Title:
T. Crane [Terrence Crane] : [Action Poetry performance video]
Title Source:
Transcribed from the Artifact
Language:
English
Production Context:
Documentary recording
Genre:
Music
Identifiers:
[]
Rights
Rights:
In Copyright (InC)
CREATORS
Name:
Crane, Terrence
Role:
"Performer"
CONTRIBUTORS
Name:
Sobol, John
Role:
"Series organizer"
MATERIAL DESCRIPTION
AV Type:
Video
Material Designation:
U-Matic
Physical Composition:
Magnetic Tape
Storage Capacity:
T01:00:00
Extent:
3/4 inch
DIGITAL FILE DESCRIPTION
Duration:
00:50:01
Size:
14.7 GB
Encoding:
Apple ProRes (preservation) and H.264 (access)
Dates
Date:
1994-04-15
Type:
Performance Date
LOCATION
Address:
107, Tunnel Mountain Drive, Banff, Alberta, Canada
Venue:
Ground Round Theatre (Banff)
Latitude:
51.1735409
Longitude:
-115.5608138
CONTENT
Contents:
Item is a video recording of Terry Crane's performances at Action Poetry ’94. Performances include:
1. [You don’t have to talk anymore] (0:38)
2. [Ooligans are small oily fish] (0:32)
3. My smoking harbour pistol tells no lines (1:12)
4. [Men must stop the hell we cause women] (1:30)
5. A letter from the critters of the planet (1:12)
6. Love poem no. 6,846 (0:10)
7. Love poem no. 9,829 (1:51)
8. They sing to me fucking siren songs in the saliva rain (1:13)
9. [Let God judge us by the length of our neckties] (0:33)
10. Symptomatic love poems no. 87 (0:13)
11. Love poem no. 8,246 (1:09)
12. Kids today (0:06)
13. Boy talk (0:13)
14. Love poem no. 6,826 (0:32)
15. [Sad world] (1:10)
16. Love poem no. 1 (0:18)
17. [I read about two dozen embryos] (0:23)
18. Slick politics (0:37)
19. [Shit your bullets] (1:04)
20. [OK he say] (1:15)
21. Dizzy come to visit (6:53)
22. Song: New York flat top (1:17)
23. Song: Mother Night (6:19)
24. Song: Scream for Rodney King (1:42)
25. Song: Come on and change, blues (4:53)
NOTES
Type:
General
Note:
Several performances are accompanied by Flex Plan Nine and John Sobol
Type:
General
Note:
Performance titles and lengths have been transcribed from the U-matic case labels. The titles of any works not explicitly given by the performer in the recording were likely supplied by the archives ca. 1996, and are enclosed in square brackets.
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