CLASSIFICATION
Swallow ID:
5438
Partner Institution:
Simon Fraser University
Source Collection Label:
Reading in BC Collection
Sub Series:
Reading in BC Collection
ITEM DESCRIPTION
Title:
Mike Matthews, Jamie Reid, Marga Fiamengo, and Roma Murray reading and talking in 1965 #365
Title Source:
J-card and inventory
Language:
English
Production Context:
Documentary recording
Genre:
Reading: Poetry
Identifiers:
[]
Rights
Rights:
Copyright Not Evaluated (CNE)
CREATORS
Name:
Ried, Jamie
Dates:
1941-2015
Role:
"Reader",
"Speaker"
Name:
Livesay, Dorothy
Dates:
1909-1996
Role:
"Donor"
Name:
Matthews, Mike
Dates:
1937-
Role:
"Reader",
"Speaker"
Name:
Fiamengo, Marya
Dates:
1926-2013
Role:
"Speaker",
"Reader"
Name:
Murray, Roma
Role:
"Speaker",
"Reader"
CONTRIBUTORS
MATERIAL DESCRIPTION
Image:
Recording Type:
Analogue
AV Type:
Audio
Material Designation:
Cassette
Physical Composition:
Magnetic Tape
Extent:
1/8 inch
Track Configuration:
2 track
Playback Mode:
Stereo
Generations:
Second generation from Reel-to-Reel
Tape Brand:
SFU
Sound Quality:
Excellent
Physical Condition:
Excellent
Other Physical Description:
White clear jewel case with J card
DIGITAL FILE DESCRIPTION
Channel Field:
Stereo
Sample Rate:
44.1 kHz
Duration:
T00:46:34
Size:
44.8 MB
Bitrate:
32 bit
Encoding:
WAV for master files and .MP3 for online files
Channel Field:
Stereo
Sample Rate:
44.1 kHz
Duration:
T00:45:45
Size:
45.1 MB
Bitrate:
32 bit
Encoding:
WAV for master files and .MP3 for online files
Dates
Date:
1965
Type:
Production Date
Source:
Inventory
LOCATION
CONTENT
Contents:
Side Track No. Comments
One Chan.1 04 Mike Matthews begins with his concern with problems of content – inability to break from content
First poem – theme of inactivity
34 “Research Into Nervous and Mental Illnesses”
58 Breath group as unite of composition
64 Stress by enjambing & discussion of poems rhythm
85 “On Reading the Toronto Quarterly Review of Canadian Poetry for 1962”
100 Discussion of above poem – a ‘burst of energy’
114 Fondness of esoteric detail
118 “The Cold Spring Harbour Symposium on Quantitative Biology”
178 Matthews discusses his influences, eg) Creeley
209 Elizabethan uses of language
231 Intro to next poem
249 “No Smoking”
285 Stanza as narrative unit
327 Intro to short poems
352 “The intruders”
362 “The Western”
377 Influences to “The Western” in particular Charles Olson
392 Break in tape
393 Reading resumes – willingness to use actual names in modern poetry – closeness to experience
438 “James Bond”
449 “The Apple”
462 “Sky Blue Trades”
473 Discussion of “Sky Blue Trades” The problem of writing poetry”
490 How do you get power in poetry
515 “Monday Morning”
538 Rhymes in “Monday Morning”
583 Metaphor – as an obvious mechanism
602 Preference for simile
628 Intro to next poem
671 Reading ends abruptly
673 Roma Murray begins in mid-poem
693 “The Poem”
730 “Yellow Square”
765 “Peacock Garden”
788 “Dance”
815 End of reading
Two Chan.1 04 Marya Fiamengo begins with explanation of first poem
18 “The Quality of Halves”
57 Intro to next poem – play between East & West
66 “A Choice of Temperment”
160 Naturalism of next poem
164 “Truth of Love”
183 Experimentation with monologue
188 “For Ferdinand of Calabria on an Ordinary Day”
237 Reading ends
238 Next begins – Jamie Reid
247 “I Liked To See When I Was Young”
260 Explanation of above poem – Is the poem real or ‘made up’
307 An untitled poem – about an obsession with deer. Sound movement
351 Further explanation of sound/feeling/environment
371 “Toronto subway…”
386 Coherence of sound
457 “Here in the gathering darkness…”
485 Repetition in last poem – poetic sense of gathering
546 Shapes of shadows – shapes of fantasys
588 Reid questioned about word usage
688 Fear of metaphor
711 “There were doorways…”
750 -objection of metaphor
765 -ends abruptly
780 Mike Matthews – begins in mid reading
-an untitled poem
828 “How To Prove The Train That Would Never Come Back Is Easy” (for John Keys)
907 “One says I am the sound of man shouting in a barrow…”
961 An experiment in short sentence form
-personal surrealistic data
980 “The shape of the Falling Light”
1001 End of reading
Notes:
SFU BC Readings formatting
NOTES
Type:
General
Note:
Liner Notes: Dorothy Livesay Poems and Discussion Side one: with Mike Matthews Side 2: with Jamie Reid Marya Fiamengo
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