CLASSIFICATION
Swallow ID:
5676
Partner Institution:
Simon Fraser University
Source Collection Label:
Reading in BC Collection
Sub Series:
Reading in BC Collection
ITEM DESCRIPTION
Title:
Robert Duncan lecture on imagism at UBC on February 8, 1966 #659
Title Source:
cassette and j-card
Language:
English
Production Context:
Classroom recording
Genre:
Speeches: Talks
Identifiers:
[]
Rights
Rights:
Copyright Not Evaluated (CNE)
CREATORS
Name:
Livesay, Dorothy
Dates:
1909-1996
Role:
"Speaker"
Notes:
Introduces Robert Duncan
Name:
Duncan, Robert
Dates:
1919-1988
Role:
"Speaker"
Name:
Vanel, Kurtis
Dates:
1936-2017
Role:
"Recordist"
Notes:
Also known as Doug Gyseman
CONTRIBUTORS
MATERIAL DESCRIPTION
Image:
Recording Type:
Analogue
AV Type:
Audio
Material Designation:
Cassette
Physical Composition:
Magnetic Tape
Extent:
1/8 inch
Track Configuration:
2 track
Playback Mode:
Stereo
Generations:
Second generation from Reel-to-Reel
Sound Quality:
Excellent
Physical Condition:
Excellent
Other Physical Description:
Black and white clear jewel case with J-card
DIGITAL FILE DESCRIPTION
Channel Field:
Stereo
Sample Rate:
44.1 kHz
Duration:
T00:45:10
Size:
64.2 MB
Bitrate:
32 bit
Encoding:
WAV for master files and .MP3 for online files
Channel Field:
Stereo
Sample Rate:
44.1 kHz
Duration:
T00:45:15
Size:
64.6 MB
Bitrate:
32 bit
Encoding:
WAV for master files and .MP3 for online files
Dates
Date:
1966-02-08
Type:
Performance Date
Source:
J-card
LOCATION
Address:
6398 University Blvd, Vancouver, BC V6T 1Z4
Venue:
University of British Columbia
Latitude:
49.2586
Longitude:
-123.2452
CONTENT
Contents:
Side Track No. Comments
One Time: 63 mins.
0000
0004 Introduction by Dorothy Livesay; at first inaudible, then clears up into a brief statement on post WWII interest in “Imagism”
0014 Robert Duncan
0002 Breaks into song to create an analogy for his position
0058 Stresses his lecture on “Imagism” is a personal viewpoint
0063 Speaks of the literary tradition of “Imagism”
0071 H.D., Pound & Williams respective ideas on Imagism as well as Joyce & Lawrence’s relation to “Imagism”
0081 Impressions a reader gets from an image in a poem
A.T.E. Hume poem is read as an example
0118 Three “Main” types of Images
0120 Community Images
0124 Myth Images
0210 Invocative Images
0279 Eliot’s use of images & many others, do not have a universe of symbols behind it – Whereas someone like Yeats utilizes images that move both backward & forward in a universe of symbols
0360 Historical tradition of Imagism – Dante’s “Divine Comedy”
0489 Poem as an agent of seeing “-the poet sees & “reports” to us in the hope we too will see” – In this case the tension between the Christian world & the Pagan world
0550 The divine force in the poet’s images
0573 The different between poetic impression and Imagism – the intensity of seeing
0700 H.D.’s images in relation to Plato
0790 Painting in relation to imagery; futile attempts by such people as Picasso to be too intellectual
0755 H.D.’s distaste for Yeat’s mythology imagery
0849 Pound’s imprisonment cantos & the images revealed
0971 As Duncan is reading a Pound canto, the tape cuts off
0992 Side one over
Two 00000
005 Tape breaks in where it cut off on Side 1
022 Discussion on the tones of the Cantos
060 The Image of Crucifixion
078 Euripide’s mystery faith, the influence it had on H.D.
120 Sins in the poetry of H.D.
130 Duncan opens the floor for questions
135 Inaudible question concerning Dylan Thomas & Images. Duncan answers there are images in everything; reads some of his own poetry, he then begins to ramble
255 Inaudible question
262 Inaudible question
Duncan expressing his belief in the intrinsic connection between feelings & Images
301 Side two over
099 Side two ends
Notes:
SFU BC Readings formatting
NOTES
RELATED WORKS