CLASSIFICATION
Swallow ID:
5723
Partner Institution:
Simon Fraser University
Source Collection Label:
Reading in BC Collection
Sub Series:
Reading in BC Collection
ITEM DESCRIPTION
Title:
George Bowering English 414 Lecture 1 at SFU on September 11, 1973 #660
Title Source:
cassette and j-card
Title Note:
On J-card: English 414 1973 George Bowering Lecture 1 Sept. 11 Outline of course; H.D.'s poem: Pink Rose
Language:
English
Production Context:
Classroom recording
Genre:
Speeches: Talks
Identifiers:
[]
Rights
Rights:
Copyright Not Evaluated (CNE)
CREATORS
Name:
Bowering, George
Dates:
1935-
Role:
"Speaker"
CONTRIBUTORS
MATERIAL DESCRIPTION
Image:
Recording Type:
Analogue
AV Type:
Audio
Material Designation:
Cassette
Physical Composition:
Magnetic Tape
Extent:
1/8 inch
Generations:
Second generation from Reel-to-Reel
Sound Quality:
Excellent
Physical Condition:
Excellent
Other Physical Description:
Black and white clear jewel case with J-card
DIGITAL FILE DESCRIPTION
Channel Field:
Stereo
Sample Rate:
44.1 kHz
Duration:
T00:30:18
Size:
35.1 MB
Bitrate:
32 bit
Encoding:
WAV for master files and .MP3 for online files
Channel Field:
Stereo
Sample Rate:
44.1 kHz
Duration:
T00:30:18
Size:
33.3 MB
Bitrate:
32 bit
Encoding:
WAV for master files and .MP3 for online files
Dates
Date:
1973-09-11
Type:
Performance Date
Source:
J-card
LOCATION
Address:
8888 University Dr, Burnaby, BC V5A 1S6
Venue:
Simon Fraser University
Latitude:
49.2784
Longitude:
-122.9231
CONTENT
Contents:
Side
Track
No.
Comments
One
000
005
Bowering tells a funny tale concerning Euripides & the SFU library
012
Microphone problems, class takes direct interest in helping Bowering with this problem
034
Being that this is a 20th century American poetry course, Bowering gives a list of recommended readings (essays actually).
Emerson’s “The Poet” not his poem “The Poet”
Whitman’s preface to the 1856 ed. of “Leaves of Grass”
Poe’s essays, start with “The Rational of Verse”
045
Bowering finds evidence for his “feeling” of a connection between H.D. & Poe
060
Begins H.D. discussion with a discussion on Poe’s essays
079
Poe’s influence abroad
083
Poe’s influence in America
The characterization of Poe – its intent
118
Poe’s image of the making of a work of art
A duty to the Muse to prepare one’s self
172
The analysis of definitions by quality
200
20th century assumptions about poetry
“Patterson”
“The Lantos”
“Maximus” poems
“A”
216
Poe’s stress on the effect the poem makes on the person
230
Poe’s concept of beauty
242
H.D. poem read as example
282
Preoccupation with “looking at Verse” not “listening to Verse”
310
American poets using rhyme as functional technique not because it was what was required
327
Poe’s feud with established literary forces
373
Poe’s view that the best poem is “written solely for the poem’s sake”
Art as an entity, not an isolated entity though
450
Bowering takes a job at Robert Frost’s comments on free Verse, praises Robert Duncan
490
H.D. poem read
536
Poe’s concept of the desire for beauty
561
Bowering apologizes for “Imagism”
620
Why Poe is placed so low commonly on the American literary pole
671
American attitudes towards writing ; how American writing is self-imploding
736
States next class’s subject matter
758
Side one ends
Two
000
Blank
Notes:
SFU BC Readings formatting
NOTES
RELATED WORKS