CLASSIFICATION
Swallow ID:
5828
Partner Institution:
Simon Fraser University
Source Collection Label:
Reading in BC Collection
Sub Series:
Reading in BC Collection
ITEM DESCRIPTION
Title:
George Bowering lecture: “Poetic Measure and the Size of the World.” PI-DIGAMMA Open Seminars at SFU on March 19, 1987 Tape 1 of 2 #570
Title Source:
cassette and j-card
Language:
English
Production Context:
Documentary recording
Genre:
Speeches: Talks
Identifiers:
[]
Rights
Rights:
Copyright Not Evaluated (CNE)
CREATORS
Name:
Bowering, George
Dates:
1935-
Role:
"Author",
"Reader",
"Speaker"
CONTRIBUTORS
MATERIAL DESCRIPTION
Image:
Recording Type:
Analogue
AV Type:
Audio
Material Designation:
Cassette
Physical Composition:
Magnetic Tape
Extent:
1/8 inch
Track Configuration:
2 track
Playback Mode:
Stereo
Sound Quality:
Good
Physical Condition:
Very Good
Other Physical Description:
Black and white clear jewel case with J-card
DIGITAL FILE DESCRIPTION
Channel Field:
Stereo
Sample Rate:
44.1 kHz
Duration:
T00:45:53
Size:
60.9 MB
Bitrate:
32 bit
Encoding:
WAV for master files and .MP3 for online files
Channel Field:
Stereo
Sample Rate:
44.1 kHz
Duration:
T00:46:04
Size:
61.0 MB
Bitrate:
32 bit
Encoding:
WAV for master files and .MP3 for online files
Dates
Date:
1987-03-19
Type:
Performance Date
Source:
J-card
LOCATION
Address:
8888 University Dr, Burnaby, BC V5A 1S6
Venue:
Simon Fraser University
Latitude:
49.2767
Longitude:
-122.9178
CONTENT
Contents:
Side Track No. Comments
One 000 Blank until 047
047 Quotation from Williams’ “Desert Music” on measure in poetry
059 Reads a statement on measure called “The end of the line”
Speech is a line lasting 90 years
075 - A Fetish for the page, the physical book
094 Line endings in conventional magazine verse usually serve no purpose
120 Discusses Wordsworth’s metrics and long lines
140 Yeats’ end rhymes in “Sailing to Byzantium” Line metrics and sentences working together
198 W.C. Williams’ use of active voice as a source for poetry
228 Reads Williams’”By the road to the contagious hospital”
238 The poem as a record of perception, not simply image
256 Reads Williams’ “Unspeakable”
269 Line break recording meeting of self and other
310 Talks about John Donne’s use of difficult grammar to record a dialectic struggle in the self
422 Modernism as a step out of Nature and into history
480 Talks about social & poetic “seriousness” as evident in the line
548 Discusses Bill Bisset’s* use of alternate spelling, lower case, and chant
595 Bisset’s written poems as scores for the voice
598 Over
Two 000 Use of measure in poetry analogous to measure in Music
028 Relationship of rhyme and measure
059 Possibility of cohering visual form of the poem with content
069 The notion of experimentation
081 Reading as the primary activity of language, preceding writing and language
099 Discussion of the audience of poetry
140 Failures of criticism, & the role of criticism
170 The poet’s responsibility to consider criticism
300 Charles Olson’s use of geography & ethnology
340 Olson’s sense and use of measure
450 Williams’ explorations of American speech
553 Differences between prose & poetry
602 End of side 2
Notes:
SFU BC Readings formatting
NOTES
RELATED WORKS