George Bowering English 414 Lecture 27 at SFU on December 3, 1973 #686

CLASSIFICATION

Swallow ID:
5868
Partner Institution:
Simon Fraser University
Source Collection Label:
Reading in BC Collection
Sub Series:
Reading in BC Collection

ITEM DESCRIPTION

Title:
George Bowering English 414 Lecture 27 at SFU on December 3, 1973 #686
Title Source:
cassette and j-card
Title Note:
On J-card: English 414 Lecture 27 Dec. 3, 1973; W. C. Williams: Paterson Book V concl.
Language:
English
Production Context:
Classroom recording
Genre:
Speeches: Talks
Identifiers:
[]

Rights

Rights:
Copyright Not Evaluated (CNE)

CREATORS


Name:
Bowering, George
Dates:
1935-
Role:
"Speaker"

CONTRIBUTORS

MATERIAL DESCRIPTION

Image:
Image
Recording Type:
Analogue
AV Type:
Audio
Material Designation:
Cassette
Physical Composition:
Magnetic Tape
Extent:
1/8 inch
Generations:
Second generation from Reel-to-Reel
Sound Quality:
Excellent
Physical Condition:
Excellent
Other Physical Description:
Black and white clear jewel case with J-card

DIGITAL FILE DESCRIPTION

Channel Field:
Stereo
Sample Rate:
44.1 kHz
Duration:
T00:30:16
Size:
35.2 MB
Bitrate:
32 bit
Encoding:
WAV for master files and .MP3 for online files

Channel Field:
Stereo
Sample Rate:
44.1 kHz
Duration:
T00:30:16
Size:
36.0 MB
Bitrate:
32 bit
Encoding:
WAV for master files and .MP3 for online files

Dates

Date:
1973-12-03
Type:
Performance Date
Source:
J-card

LOCATION

Address:
8888 University Dr, Burnaby, BC V5A 1S6
Venue:
Simon Fraser University
Latitude:
49.2784
Longitude:
-122.9231

CONTENT

Contents:
Side Track No. Comments One 0000 0033 We ‘zoom’ into Section 3 of Book V, with the Brueghel painting, which is discussed in great detail 0130 The particularity of Brueghel’s work is compared to the local work that Williams picks up on. More discussion of Brueghel follows 0232 The relation between gifts and art is mentioned 0276 The particularity of Brueghel’s Joseph scene is immediately followed and associated with the local work 0299 The letter from Edward is discussed 0320 The connection between art and the imagination as escapes of death is seen in Book V. The tapestries stayed 500 years 0400 The serpent with a tail in its mouth is discussed 0448 The unicorn appears, to Bowering, as an image of art as a record of the imagination, where love is engendered 0483 On the significance of digging in Paterson 0504 The flowers of particularity in relation to the unicorn’s capture is touched upon. The description of every kind of flower hints that by showing the whole of the world, the magical qualities embodied in the unicorn may be appreciated 0601 The last page of Book V is gone through line by line 0639 The significance of ‘in-ter-vention’ 0696 ‘Assume’ is linked to the Hamiltonian ‘appropriate’ 0706 “The unicorn is not going to leap into your garden if you do not make the effort to be ready for it, if you don’t have a virgin out there to capture it”, notes Bowering 0735 Bowering was initially bothered by the end lines of Book V, but the tape cuts short before he can explain how he resolved this 0764 End Two Side Two is blank
Notes:
SFU BC Readings formatting

NOTES


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