CLASSIFICATION
Swallow ID:
5873
Partner Institution:
Simon Fraser University
Source Collection Label:
Reading in BC Collection
Sub Series:
Reading in BC Collection
ITEM DESCRIPTION
Title:
St. Mark's Poetry Project: Edith Jarolim lecture on editing Paul Blackburn in New York City, 1983 #601
Title Source:
cassette and j-card
Language:
English
Production Context:
Documentary recording
Genre:
Speeches: Talks
Identifiers:
[]
Rights
Rights:
Copyright Not Evaluated (CNE)
CREATORS
Name:
Jarolim, Edith
Role:
"Speaker"
Name:
Blackburn, Paul
Dates:
1926-1971
Role:
"Author"
CONTRIBUTORS
MATERIAL DESCRIPTION
Image:
Recording Type:
Analogue
AV Type:
Audio
Material Designation:
Cassette
Physical Composition:
Magnetic Tape
Extent:
1/8 inch
Track Configuration:
2 track
Playback Mode:
Stereo
Sound Quality:
Excellent
Physical Condition:
Excellent
Other Physical Description:
Black and white clear jewel case with J-card
DIGITAL FILE DESCRIPTION
Channel Field:
Stereo
Sample Rate:
44.1 kHz
Duration:
T00:47:04
Size:
50.1 MB
Bitrate:
32 bit
Encoding:
WAV for master files and .MP3 for online files
Channel Field:
Stereo
Sample Rate:
44.1 kHz
Duration:
T00:47:05
Size:
48.5 MB
Bitrate:
32 bit
Encoding:
WAV for master files and .MP3 for online files
Dates
Date:
1983
Type:
Performance Date
Source:
J-card
LOCATION
Address:
131 E. 10th Street, New York, NY
Venue:
St. Mark's Church
Latitude:
40.7303
Longitude:
-73.98727
CONTENT
Contents:
Side Track No. Comments
One 000
001 Introduction
*”Let Them Quarry Cleanly” – title of lecture
*Background on Edith [Jerolin’s] academic career to date
018 Lecture begins
021 Discusses Blackburn’s work on the Poetry
026 Discussion of Blackburn’s life
*Reading from a grant application Blackburn wrote in mid-60’s
*Continues from there onwards
050 Blackburn’s influence on fellow poets
*He was an angel
066 His work, his “good ear”
072 Blackburn’s theory [or rather lack of]
078 “He wrote very little criticism”
*Letter to Robert Creeley is read aloud
091 His work
*Minor works
*Major works
103 [Jerolin] on editing Blackburn’s complete work
*Changes in editing and publishing
*Posthumous legacy and methodology
128 The title of the lecture explained
144 Come genres of Blackburn’s poetry
166 Blackburn’s attitude toward his text
*Revision, reproduction, etc.
185 Editing and publishing techniques in the later 20th century
*Blackburn’s poems were to be found in many different places and forms
295 *The small, many temporary magazines in which Blackburn’s poems appeared, sometimes under alias
348 The many versions of Blackburn’s poems
409 *His lack of sequenal patterns
523 [Jerolin’s] trouble, organizing a chronology
*Compare typeface of letters – which were dated – and of poems
556 Lecture suddenly ends in mid-sentence
613 Side 1 ends
Two 000
027 Lecture begins where it left off
*Comparing typefaces
038 Dating the poems in a biographical sense
*Events in his life, events of a poem
*Letters and the addresses on them
058 Dating the love poems
090 Blackburn and Creeley
111 Conclusion, reiterating the themes of the lecture
116 [Jerolin] consents to a Question and Answer Session
119 *First question inaudible
124 *Question on method of establishing dates in relation to the typewriter Blackburn may have been using
128 *Third question inaudible – something to do with drafts
139 *Fourth question on did [Jerolin] “grow tired or grow to like Blackburn’s poems more” as she worked on the editing process
149 *Fifth question: “Did he publish the same poem several times?”
161 *Sixth question, basically inaudible, something to do with image poetry and the Black Mountain poets
175 *Seventh question, again basically inaudible, but something to do with revision methods
189 *Eighth question on the casual qualities of Blackburn’s poems
205 *Follow-up question, mainly inaudible
222 *Ninth question: “Did Blackburn keep a large number of the magazines in which his work was published?”
235 *Follow-up question on the ‘orbitary’ nature of small magazine publishing
255 *Discussion by [Jerolin] on poems that Blackburn did not intend for publishing
*Editorial principle
278 *Tenth question, what to include, what not to
292 *Eleventh question and [Jerolin’s] reply are basically inaudible
319 Question and Answer Session ends
320 Concluding remarks, announcements on forthcoming lectures at the Poetry Project
334 People file out
617 Side two ends
Notes:
SFU BC Readings formatting
NOTES
Type:
General
Note:
A few minutes of silence at beginning of each side of the tape
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