CLASSIFICATION
Swallow ID:
5952
Partner Institution:
Simon Fraser University
Source Collection Label:
Reading in BC Collection
Sub Series:
Reading in BC Collection
ITEM DESCRIPTION
Title:
UBC Poetry Festival: Creeley and Ginsberg on July 24, 1963 #37
Title Source:
cassette and j-card
Language:
English
Production Context:
Documentary recording
Genre:
Oral History
Identifiers:
[]
Rights
Rights:
Copyright Not Evaluated (CNE)
CREATORS
Name:
Ginsberg, Allen
Dates:
1926-1997
Role:
"Speaker"
Name:
Creeley, Robert
Dates:
1926-2005
Role:
"Speaker"
CONTRIBUTORS
Name:
Wah, Fred
Dates:
1939-
Role:
"Donor"
Notes:
In the inventory it states that he is a Donor and we are not sure what it means
MATERIAL DESCRIPTION
Image:
Recording Type:
Analogue
AV Type:
Audio
Material Designation:
Cassette
Physical Composition:
Magnetic Tape
Storage Capacity:
T00:58:45
Extent:
1/8 inch
Generations:
Second generation from Reel-to-Reel
Sound Quality:
Excellent
Physical Condition:
Very Good
Other Physical Description:
Black and white clear jewel case with J-card
DIGITAL FILE DESCRIPTION
Channel Field:
Stereo
Sample Rate:
44.1 kHz
Duration:
T00:29:31
Size:
19.6 MB
Bitrate:
32 bit
Encoding:
WAV for master files and .MP3 for online files
Channel Field:
Stereo
Sample Rate:
44.1 kHz
Duration:
T00:29:17
Size:
19.5 MB
Bitrate:
32 bit
Encoding:
WAV for master files and .MP3 for online files
Dates
Date:
1963-07-24
Type:
Production Date
Source:
J-card
LOCATION
Address:
6398 University Blvd, Vancouver, BC V6T 1Z4
Venue:
UBC
Latitude:
49.2586
Longitude:
-123.2452
CONTENT
Contents:
Side Track No. Comments
One 000 Beginning of discussion on art and politics
Creeley on Yevtushenko and Voznezhensky-psychological situation in Russia and America
095 Ginsberg re interview with Esquire – feeling used – interview as “distortion of his reality.”
180 Involvement of contexts of writing with governmental structures – governmental use of the contexts of art results in poets being placed in specific political situations
225 Ginsberg on Yevtushenko and Voznezhensky – “Poetry may or may not be social but its relevance for them is mainly the exploration of mind, mind consciousness. Therefore, the technique is no longer metaphor as in social poetry; it’s association. “-discussion on metaphor and association”
370 Ginsberg re Indian Communist Party – literary movements in India
490 Creeley on creating contexts of feeling – art as primarily an occasion in which feeling is dealt with and in which terms of feeling are articulated
555 Intersection of art and politics –Mayakovsky and Lorca
Two 000 Discussion on various contexts of being – the poem as a context of meaning-cannot depart from particular context in which you’re involved in order to understand its meaning – Creeley quoting from “Maximus to Gloucester” – “I have this sense, that I am one with my skin.”
200 Dangers of familiar habits of writing – habituation as conscious determination
Notes:
SFU BC Readings formatting
NOTES
Type:
General
Note:
Liner Notes: UBC Poetry Festival July, 24 1963 Side 1 29:30 Side 2 29:15 Continued on next tape
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