UBC Poetry Festival: Olson, Creeley, Duncan, and Ginsberg on July 31, 1963 part 1 of 2 #40a

CLASSIFICATION

Swallow ID:
5956
Partner Institution:
Simon Fraser University
Source Collection Label:
Reading in BC Collection
Sub Series:
Reading in BC Collection

ITEM DESCRIPTION

Title:
UBC Poetry Festival: Olson, Creeley, Duncan, and Ginsberg on July 31, 1963 part 1 of 2 #40a
Title Source:
J-card and inventory
Language:
English
Production Context:
Documentary recording
Genre:
Oral History
Identifiers:
[]

Rights

Rights:
Copyright Not Evaluated (CNE)

CREATORS

Name:
Duncan, Robert
Dates:
1919-1988
Role:
"Speaker"

Name:
Ginsberg, Allen
Dates:
1926-1997
Role:
"Speaker"

Name:
Olson, Charles
Dates:
1910-1970
Role:
"Speaker"

Name:
Creeley, Robert
Dates:
1926-2005
Role:
"Speaker"

CONTRIBUTORS

Name:
Wah, Fred
Dates:
1939-
Role:
"Donor"
Notes:
In the inventory it states that he is a Donor and we are not sure what it means

MATERIAL DESCRIPTION

Image:
Image
Recording Type:
Analogue
AV Type:
Audio
Material Designation:
Cassette
Physical Composition:
Magnetic Tape
Extent:
1/8 inch
Generations:
Second generation from Reel-to-Reel
Sound Quality:
Excellent
Physical Condition:
Very Good
Other Physical Description:
Black and white clear jewel case with J-card

DIGITAL FILE DESCRIPTION

Channel Field:
Stereo
Sample Rate:
44.1 kHz
Duration:
T00:45:32
Size:
30.2 MB
Bitrate:
24 bit
Encoding:
WAV for master files and .MP3 for online files

Channel Field:
Stereo
Sample Rate:
44.1 kHz
Duration:
T00:21:31
Size:
14.3 MB
Bitrate:
24 bit
Encoding:
WAV for master files and .MP3 for online files

Dates

Date:
1963-07-31
Type:
Production Date
Source:
J-card and inventory

LOCATION

Address:
6398 University Blvd, Vancouver, BC V6T 1Z4
Venue:
UBC
Latitude:
49.2586
Longitude:
-123.2452

CONTENT

Contents:
Side Track No. Comments One 000 Begins with discussion of “polis” 070 What does “polis” mean? 100 Duncan – the ‘eye’ and ‘polis’ – ‘seen’ and ‘scene’ 133 Discussion re Zukofsky on the I and the Eye 155 ‘istorin-finding out for oneself – you have to see it and engage in it, not merely interpret or analyse it 165 Olson on Herodotus, Pausanius and Thucydides – Herodotus is relevant because he recorded all that he saw and heard. – Thucydides is not relevant because he placed an evaluation upon events thereby characterizing events before they occur. 180 Ginsberg- reporters in Vietnam discover the unreliability of secondary sources 210 Creeley – at some time you must trust yourself to an agency you don’t understand 230 Ginsberg – importance of direct contact is located in feelings – one has to deal with feelings – responding to question about his interview with Esquire magazine – “Pull my daisy/Tip my cup/All my doors are open.” 300 Duncan – There are no hierarchies in “polis” though there may be personal forces – “polis” disappears with the advent of societies which consist of hierarchies and patterns; it’s the disappearance of people with eyes 447 Ginsberg – the frustration of form anticipating occasion. This is Creeley. 500 Creeley feeling “bankrupt” 560 Preconception of form-sonnets 620 Creeley – you can respond to any form if you’re engaged in it – must have an occasion of feeling 640 Ginsberg – “Bankrupt” – wishing to be free of all expectations 710 Creeley – “Bankruptcy” – state of being or feeling where you see no possibility of where to go – must open doors to restore seeing if will is arbiter of possibility then that possibility is destroyed 925 Creeley – the more one learns about the craft of writing, the more one wants to take over. I hate that; I don’t want the aggression of writing the world in that way, the vanity of it 990 Duncan answering audience question re his use of contrivances to get over a stoppage – “Why is it that we close ourselves off to resources? Calling upon powers, stars, muses?”
Notes:
SFU BC Readings formatting

NOTES

Type:
General
Note:
Liner Notes: Olson, Duncan, Creeley, Ginsberg Wed.Juky 31, 19?

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