CLASSIFICATION
Swallow ID:
5960
Partner Institution:
Simon Fraser University
Source Collection Label:
Reading in BC Collection
Sub Series:
Reading in BC Collection
ITEM DESCRIPTION
Title:
UBC Poetry Festival: Creeley, Duncan, and Ginsberg on August 2, 1963 #43a
Title Source:
J-card and inventory
Language:
English
Production Context:
Documentary recording
Genre:
Oral History
Identifiers:
[]
Rights
Rights:
Copyright Not Evaluated (CNE)
CREATORS
Name:
Duncan, Robert
Dates:
1919-1988
Role:
"Speaker"
Name:
Ginsberg, Allen
Dates:
1926-1997
Role:
"Speaker"
Name:
Creeley, Robert
Dates:
1926-2005
Role:
"Speaker"
CONTRIBUTORS
Name:
Wah, Fred
Dates:
1939-
Role:
"Donor"
Notes:
In the inventory it states that he is a Donor and we are not sure what it means
MATERIAL DESCRIPTION
Image:
Recording Type:
Analogue
AV Type:
Audio
Material Designation:
Cassette
Physical Composition:
Magnetic Tape
Extent:
1/8 inch
Generations:
Second generation from Reel-to-Reel
Sound Quality:
Excellent
Physical Condition:
Very Good
Other Physical Description:
Black and white clear jewel case with J-card
DIGITAL FILE DESCRIPTION
Channel Field:
Stereo
Sample Rate:
44.1 kHz
Duration:
T00:23:36
Size:
15.6 MB
Bitrate:
32 bit
Encoding:
WAV for master files and .MP3 for online files
Channel Field:
Stereo
Sample Rate:
44.1 kHz
Duration:
T00:45:52
Size:
30.1 MB
Bitrate:
32 bit
Encoding:
WAV for master files and .MP3 for online files
Dates
Date:
1963-08-02
Type:
Production Date
Source:
J-card and inventory
LOCATION
Address:
6398 University Blvd, Vancouver, BC V6T 1Z4
Venue:
UBC
Latitude:
49.2586
Longitude:
-123.2452
CONTENT
Contents:
Side Track No. Comments
One (The early portion of this tape is the final moments of the meeting of August 2d. The beginning of the Friday morning August 16th session follows. There is interference throughout all of side one & a portion of side two)
048 Beginning of Friday morning, August 16th, 1963 (voice interference also begins, at slow speed)
Creeley, speaking of measure, poetry, & the university
100 Creeley asks for impressions, feed-back, from the audience
116 Coleridge & Wordsworth
142 “emotion recollected in tranquility”
173 “the moment of composition”
225 “… but we are working from primary impulses in the act of writing. The form of the poem is an issue of that fact or state.”
261 Edward Marshall’s “Leave the word alone.”
290 Duncan: “Any movement, or any thing alive coming up in poetry seems to come about with new formulations that kick in the face, in a way, the preceding ones.”
315 Duncan speaking of the thematic nature of his poetry
332 Olson’s Projective Verse” essay
353 Theory & writing
363 Olson & Pound
383 “… you must watch what is happening in the poem…”
403 Williams & the line – measure
424 “…every one of the phrases is an emotional entity.”
442 Measure, rhythm, & music
467 Charles Tomlinson’s use of Williams’ line
484 Emotion, & sound, in the measure, the line
515 “This is now the convention…” Duncan, re Williams’ line
523 “The Desert Music”
540 Ed Dorn
550 “Imitation of the convention, simply, will take you into some knowledge of what convention can do, as a technique, but it probably won’t provide you with any… release of what you have to say.”
690 Discussion of linguistics & linguists
825 Stress & measure
Notes:
SFU BC Readings formatting
NOTES
RELATED WORKS