[{"id":"5706","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robin Blaser reading at the Vancouver Art Gallery on November 3, 1982 part 1 of 2 #423"],"item_title_source":["cassette and J-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[RB_423]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6005/Reading in BC_MsC199_423.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/rbr-169/rb423a\",\"file_path\":\"\",\"filename\":\"423-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:00\",\"precision\":\"\",\"size\":\"50.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-170/rb423b\",\"file_path\":\"\",\"filename\":\"423-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:58\",\"precision\":\"\",\"size\":\"50.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-11-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/69701736\",\"venue\":\"Vancouver Art Gallery\",\"notes\":\"\",\"address\":\"750, Hornby Street, Downtown, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V6Z, Canada\",\"latitude\":\"49.28287695\",\"longitude\":\"-123.1205638545168\"}]"],"Address":["750, Hornby Street, Downtown, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V6Z, Canada"],"Venue":["Vancouver Art Gallery"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t001\tBlaser introduces “The Violets”; the translation of Whitehead into poetry\n\t\t017\tPreface to the paper: a “collage” of quotations\n\t\t034\tQuotation from John Russel’s The Meanings of Modern Art (“Art is there to make sense of the World…”)\n\t\t046\tQuotation from Philip Rieff from Triumph of the Therapeutic\n\t\t060\tBlaser reads an entry from his journal\n\t\t102\tReads W.C. Williams’ “St. Francis Einstein of the Daffodils”\n\t\t120\tThe specialized meanings of some terms used by Whitehead: “prehension”, “subjective aim”, actual entities”, “eternal object”, “feeling”, “God”\n\t\t180\tBegins to read “The Violets”\n\t\t209\t“The American poet who has made the most profound use of Whitehead’s thought is Charles Olson…” (Lines, p. 61)\n\t\t248\t“The reality of Marxism remains, as it began, The other face of Hegel…” (p. 62)\n\t\t298\t“What I have noticed in the poetry and poetics of the most important poets is that they are arguing, weaving, and composing a cosmology and an epistemological practice” (p. 62)\n\t\t324\t“I have arranged my essay to include copious quotation” (p. 64)\n\t\t347\t“In a letter of 1916, before the essay was printed in 1919, Pound states his interest” (p. 65)\n\t\t385\t“This wonderful voice, guiding science and, as we shall see, entering into poetry, draws attention to what is most to be attended to in art…”\n\t\t430\t“Among Olson’s books, now collected in The Charles Olson Archives…” (p. 67)\n\t\t495\t“This lecture was “preceded and followed” by study sessions on Process and Reality” (p. 68)\n\t\t529\t“This well-judged summary brings us a long way into a sense of Olson’s response to the philosopher…” (p.69)\n\t\t558\t“A fresh world-view, their indebted to science by way of Einstein and Whitehead…” (p. 70)\n\t\t580\tSide one ends in the middle of a quotation from W.C. Williams\nTwo\t\t001\t“Paul Christensen describes the look and feel of the poems in just such terms…” (p. 70)\n\t\t010\t“Olson’s direct use of Whitehead’s thought by way of reference, bottowing, and quotation can be traced to Process and Reality and to Adventures in Ideas” (p. 71)\n\t\t050\t“This move away from a systematic relationship to Whitehead’s philosophy of organism should be noted…” (p. 72)\n\t\t080\t“This lecture is marked by its introductory character from the initial statement on coming to know Whitehead’s thought…” (p. 73)\n\t\t104\t“From the passages quoted by Olson, Whitehead turns to a further consideration of the ‘second stage of feeling’… (p. 74)\n\t\t136\t“It is at such a point as this that we may begin to understand what I have called Olson’s translation of Whitehead” (p. 75)\n\t\t170\t“Olson consistently translates Whitehead’s philosophy of organism and its magnificent ‘vision’ of process back into his own acts as a poet of perception and intelligence” (p. 76)\n\t\t206\t“Olson terms the condition a ‘return to object’ and he returns art to the ‘contest’” (p. 77)\n\t\t224\t“The sudden appearance of ‘one’s self’ in this context may seem abrupt.” (p. 78)\n\t\t261\t“With many a quotation, I have endeavoured to dramatize the two languages of these men…” (p. 79)\n\t\t288\t“Two epigraphs open the argument…” (p.80)\n\t\t332\t“Olson is proposing to date the loss of the sense of reality as a process at that point” (p. 81)\n\t\t370\t“Olson draws a line from the underlined word ‘multiplicity’ to the bottom of the page…” (p. 82)\n\t\t401\t“This ‘WILL’ includes an obedience within the process…”’ (p. 83)\n\t\t\t“Interpretation, with its lingering positivism and its confused urge towards materialism, too often ignores the fundamental religious temper of poetic thought” (p. 85)\n\t\t516\t“This is an important moment of preparation in von Hallberg’s argument…” (p. 86)\n\t\t584\t“From the underlined word ‘objects’, Olson draws a line to the bottom of the page…” (p. 87) – side two ends here"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553751126016,"timestamp":"2026-01-07T14:59:58.173Z","score":1.6099379},{"id":"5707","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robin Blaser reading at the Vancouver Art Gallery on November 3, 1982 part 2 of 2 #424"],"item_title_source":["cassette and J-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[RB_424]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/6006/Reading in BC_MsC199_424.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Second generation from Reel-to-Reel\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"424-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:54\",\"precision\":\"\",\"size\":\"49.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"424-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:56\",\"precision\":\"\",\"size\":\"48.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-11-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/69701736\",\"venue\":\"Vancouver Art Gallery\",\"notes\":\"\",\"address\":\"750, Hornby Street, Downtown, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V6Z, Canada\",\"latitude\":\"49.28287695\",\"longitude\":\"-123.1205638545168\"}]"],"Address":["750, Hornby Street, Downtown, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V6Z, Canada"],"Venue":["Vancouver Art Gallery"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t001\tThis is a problem of methodology…” (Lines 2, p. 87)\n\t\t013\t“His spelling in Greek letters of the word chaos in interesting…” (p. 88)\n\t\t071\t“Olson is a careful and poised modern mind, but with this interest in the archaic he follows through on an intuition that has coloured the arts of our century…” (p. 90)\n\t\t103\tBlaser ends his lecture by reading some of Olson’s poems relating to poetics\n\t\t108\t“A Later Note on Letter #15 (pp. 93-94)\n\t\t150\t“history as time/alchemy of /slain kings roots…” (pp. 95-96)\n\t\t222\t“When do poppies bloom I ask myself…” pp. 98)\n\t\t238\tEnd of lecture"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553751126017,"timestamp":"2026-01-07T14:59:58.173Z","score":1.6099379},{"id":"7851","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Kootenay Night Presentation at Kootenay School of Writing on March 11 in 1982: Peter Christensen reading poetry on side one, and on side two: Fred Wah's Kootenay oral anthology: A collection of 20 West Kootenay poets DUPLICATE 1 OF 2\n"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wayman, Tom","Christensen, Peter","Wah, Fred"],"creator_names_search":["Wayman, Tom","Christensen, Peter","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/98293283\",\"name\":\"Wayman, Tom\",\"dates\":\"1945-\",\"notes\":\"Tom Wayman introduces Peter Christensen and Fred Wah in the beginning of side one \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"[http://viaf.org/viaf/93508345?]\",\"name\":\"Christensen, Peter\",\"dates\":\"[1951-?]\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7851/Fred Wah Fonds_MsC 17 g_100.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-100 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:50\",\"precision\":\"\",\"size\":\"68.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-100 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:46\",\"precision\":\"\",\"size\":\"69.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-3-11\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/299783923\",\"venue\":\"Kootenay School of Writing\",\"notes\":\"\",\"address\":\"112 W Hastings St, Vancouver, BC V6B 1G8\",\"latitude\":\"49.28184\",\"longitude\":\"-123.10779\"}]"],"Address":["112 W Hastings St, Vancouver, BC V6B 1G8"],"Venue":["Kootenay School of Writing"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"On side one, Peter Christensen Reads the following poems int his poetry reading event:\\nGreeting from Rocky Mountain\\nHow to Keep Going When You Are Cold \\nHer Gift\\nThe Angle of My [Tongs?]\\nPretending to Dance\\nUrban Despair \\n[Our Beautest Woman?]\\nI Can Eat All I Want\\nFrom the Rig Talk Poem Series, including: \\nOil Rush\\n[The Recording Crew?]\\nGraveyard Shift\\nChinook \\nHeroes\\nGoing Home\\nThe Fence \\nTwo poems from Hailstorm Book\\nBorder Crossings\\nA Letter to a Friend, (A poem for [Ivan?]\\nMountain Drunk\\nHome Coming\",\"type\":\"General\"},{\"note\":\"On side two, Fred Wah introduces his Kootenay oral anthology: A collection of 20 West Kootenay poets; 20 West Kootenay writers reads poems; none of them is introduced   \",\"type\":\"General\"},{\"note\":\"This tape is duplicate of tape 111 \\\"Kootenay Night Presentation at Kootenay School of Writing on March 11 in 1982: Peter Christensen reading poetry on side one, and on side two: Fred Wah's Kootenay oral anthology: A collection of 20 West Kootenay poets DUPLICATE 2 OF 2\\\" (SWALLOW ID 7870)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557242884099,"timestamp":"2026-01-07T15:00:01.509Z","score":1.6099379},{"id":"7870","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Kootenay Night Presentation at Kootenay School of Writing on March 11 in 1982: Peter Christensen reading poetry on side one, and on side two: Fred Wah's Kootenay oral anthology: A collection of 20 West Kootenay poets DUPLICATE 2 OF 2\n"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wayman, Tom","Christensen, Peter","Wah, Fred"],"creator_names_search":["Wayman, Tom","Christensen, Peter","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/98293283\",\"name\":\"Wayman, Tom\",\"dates\":\"1945-\",\"notes\":\"Tom Wayman introduces Peter Christensen and Fred Wah in the beginning of side one \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"[http://viaf.org/viaf/93508345?]\",\"name\":\"Christensen, Peter\",\"dates\":\"[1951-?]\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7870/Fred Wah Fonds_MsC 17 g_111.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-111 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:58\",\"precision\":\"\",\"size\":\"71.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-111 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:50\",\"precision\":\"\",\"size\":\"71.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-3-11\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/299783923\",\"venue\":\"Kootenay School of Writing\",\"notes\":\"\",\"address\":\"112 W Hastings St, Vancouver, BC V6B 1G8\",\"latitude\":\"49.28184\",\"longitude\":\"-123.10779\"}]"],"Address":["112 W Hastings St, Vancouver, BC V6B 1G8"],"Venue":["Kootenay School of Writing"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"On side one, Peter Christensen Reads the following poems int his poetry reading event:\\nGreeting from Rocky Mountain\\nHow to Keep Going When You Are Cold \\nHer Gift\\nThe Angle of My [Tongs?]\\nPretending to Dance\\nUrban Despair \\n[Our Beautest Woman?]\\nI Can Eat All I Want\\nFrom the Rig Talk Poem Series, including: \\nOil Rush\\n[The Recording Crew?]\\nGraveyard Shift\\nChinook \\nHeroes\\nGoing Home\\nThe Fence \\nTwo poems from Hailstorm Book\\nBorder Crossings\\nA Letter to a Friend, (A poem for [Ivan?]\\nMountain Drunk\\nHome Coming\",\"type\":\"General\"},{\"note\":\"On side two, Fred Wah introduces his Kootenay oral anthology: A collection of 20 West Kootenay poets; 20 West Kootenay writers reads poems; none of them is introduced   \",\"type\":\"General\"},{\"note\":\"This tape is duplicate of tape 100 \\\"Kootenay Night Presentation at Kootenay School of Writing on March 11 in 1982: Peter Christensen reading poetry on side one, and on side two: Fred Wah's Kootenay oral anthology: A collection of 20 West Kootenay poets DUPLICATE 2 OF 2\\\" (SWALLOW ID 7851)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670557244981249,"timestamp":"2026-01-07T15:00:01.509Z","score":1.6099379},{"id":"8741","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["James Laughlin interviewed by Roy Miki at Sylvia Hotel on March 18, 1982 DUPLICATE 1 of 2"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Williams, William Carlos","Gyseman, Doug","Miki, Roy","Laughlin, James"],"creator_names_search":["Williams, William Carlos","Gyseman, Doug","Miki, Roy","Laughlin, James"],"creators":["[{\"url\":\"http://viaf.org/viaf/29542054\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"Gyseman, Doug \",\"dates\":\"1936-2017\",\"notes\":\"Also known as Vanel, Kurtis \",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/97990150\",\"name\":\"Laughlin, James\",\"dates\":\"1914-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewee\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8741/Roy Miki Fonds_MsC 161_113.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-113Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:16\",\"precision\":\"\",\"size\":\"60.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-113Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:28\",\"precision\":\"\",\"size\":\"60.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-03-18\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/316424818\",\"venue\":\"Sylvia Hotel\",\"notes\":\"\",\"address\":\"1154 Gilford St, Vancouver, BC V6G 2P6\",\"latitude\":\"49.288685\",\"longitude\":\"-123.142464\"}]"],"Address":["1154 Gilford St, Vancouver, BC V6G 2P6"],"Venue":["Sylvia Hotel"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"This interview follows up on James Laughlin's lecture in Roy Miki's class on March 16, where Laughlin delivered an in-depth presentation on William Carlos Williams.\\n\\nThe interview begins with Roy Miki asking Laughlin to share his perspective and vision of William Carlos Williams as a writer. Laughlin reflects on their first meeting, Williams’s reputation at the time, and his early books—their themes, publication, and Williams’s distinctive writing style, which established him as a pioneer of certain literary forms.\\n\\nThe discussion transitions to Charles Olson’s perspective, highlighting the differences between Williams and Ezra Pound. Laughlin also recounts his experiences working with Williams as a publisher.\\n\\nThe conversation shifts to Williams's health, particularly his first stroke, the play he wrote during that period, and his final book. Miki asks Laughlin to discuss a specific text or poem by Williams that had a significant impact on him and remains vividly memorable.\\n\\nIn the second half of the interview, they delve into Williams’s immediate family, their influence on his life, the publication of his final collection, and the time it required. Laughlin concludes by recalling the last time he saw Williams.\",\"type\":\"General\"},{\"note\":\"An unknown woman’s voice is heard at 13:29 on side two.\\n\\n\\n\\n\\n\\n\",\"type\":\"General\"},{\"note\":\"The quality of the recordings is weak at the beginning of side one, but it improved after a while \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557682237445,"timestamp":"2026-01-07T15:00:01.927Z","score":1.6099379},{"id":"8742","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["James Laughlin interviewed by Roy Miki at Sylvia Hotel on March 18, 1982 DUPLICATE 2 of 2"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Williams, William Carlos","Gyseman, Doug","Miki, Roy","Laughlin, James"],"creator_names_search":["Williams, William Carlos","Gyseman, Doug","Miki, Roy","Laughlin, James"],"creators":["[{\"url\":\"http://viaf.org/viaf/29542054\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"Gyseman, Doug \",\"dates\":\"1936-2017\",\"notes\":\"Also known as Kurtis Vanel\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/97990150\",\"name\":\"Laughlin, James\",\"dates\":\"1914-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewee\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8742/Roy Miki Fonds_MsC 161_114.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-114 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:24\",\"precision\":\"\",\"size\":\"59.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-114 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:38\",\"precision\":\"\",\"size\":\"59.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-03-18\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/316424818\",\"venue\":\"Sylvia Hotel\",\"notes\":\"\",\"address\":\"1154 Gilford St, Vancouver, BC V6G 2P6\",\"latitude\":\"49.288685\",\"longitude\":\"-123.142464\"}]"],"Address":["1154 Gilford St, Vancouver, BC V6G 2P6"],"Venue":["Sylvia Hotel"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"This interview follows up on James Laughlin's lecture in Roy Miki's class on March 16, where Laughlin delivered an in-depth presentation on William Carlos Williams.\\n\\nThe interview begins with Roy Miki asking Laughlin to share his perspective and vision of William Carlos Williams as a writer. Laughlin reflects on their first meeting, Williams’s reputation at the time, and his early books—their themes, publication, and Williams’s distinctive writing style, which established him as a pioneer of certain literary forms.\\n\\nThe discussion transitions to Charles Olson’s perspective, highlighting the differences between Williams and Ezra Pound. Laughlin also recounts his experiences working with Williams as a publisher.\\n\\nThe conversation shifts to Williams's health, particularly his first stroke, the play he wrote during that period, and his final book. Miki asks Laughlin to discuss a specific text or poem by Williams that had a significant impact on him and remains vividly memorable.\\n\\nIn the second half of the interview, they delve into Williams’s immediate family, their influence on his life, the publication of his final collection, and the time it required. Laughlin concludes by recalling the last time he saw Williams.\",\"type\":\"General\"},{\"note\":\"Side B contains the start of the interview, while the rest continues on Side A.\\n\\n\\n\\n\\n\\n\\n\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557682237446,"timestamp":"2026-01-07T15:00:01.927Z","score":1.6099379}]