[{"id":"5643","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Michael McClure interview in Houston on March 22, 1982 #391"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McClure, Michael"],"creator_names_search":["McClure, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/71493269\",\"name\":\"McClure, Michael\",\"dates\":\"1932-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5820/Reading in BC_MsC199_391.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"391-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:11\",\"precision\":\"\",\"size\":\"46.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"391-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:59\",\"precision\":\"\",\"size\":\"45.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-03-22\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2688911\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Houston, Texas, USA\",\"latitude\":\"29.9656\",\"longitude\":\"-95.4657\"}]"],"Address":["Houston, Texas, USA"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t000\tMcClure talks about his use of “Beast language”\n\t\t033\tPsilocybin culture brought back from Mexico, 1959 – its influence on his writing\n\t\t060\tReads #51, of 99 poems (beast language)\n\t\t071\tPoem written the day after Marilyn Monroe’s death, Aug. 6, 1962\n\t\t101\tTalks about Mark Rothko regarding the poem on the page as fields of letters\n\t\t130\tSays his models were Chaucer and Lorca\n\t\t\tReads Lorca’s “nadia comprendiera”\n\t\t150\tTalks about Machu Pichu\n\t\t170\tDiscusses public response to his poetry\n\t\t200\tPoetry as a “way of pleasing on a biological level, outside the universe of discourse”\n\t\t229\tReads “The mad cub” from Antechamber\n\t\t275\tReads an excerpt from a novel, called Elizabethan ecstacy\n\t\t311\tTalks about writing music and about electronic music\n\t\t368\tPunk rock lyrics and 60’s rebellion\n\t\t387\tPlaywriting as an enactment of hallucinations\n\t\t414\tTape ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553732251648,"timestamp":"2026-01-07T14:59:58.173Z","score":3.882548}]